The perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly | Just plug in your instrument Cable (or patch Cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal | Once hooked up, use the left footswitch to select between a and B channels | When the led is Red, the a channel is engaged. When the led is Green, the B channel is engaged. Hit the right “Y” footswitch, and both channels are engaged for full stereo output | Because the active A/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum

The Bonsai is our tribute to one of the greatest pedals ever created, the tube screamer | A simple rotary knob switches through nine classic, vintage, rare, or hard to find variations of the screamer | The Bonsai does not emulate these pedals, it is exact replications of these nine units all housed in one box | Choosing a mode on the Bonsai rotary actually activates components specific to each unit

Simple and effective signal splitting device that keeps your tone clear, powerful, and pristine | Send 1 signal to a tuner that is out of the signal chain while retaining your full tone | In a dual amp setup, both amplifiers will see a powerful, clean signal | Converts your guitar’s hi Z signal to lo Z for driving long cables and pedal chains | Retains the original tone of your guitar without coloration from the other gear in your signal chain | The small size is ideal for saving pedal board space, and it can easily be mounted underneath your board

A simple yet effective tool to boost/cut the perfect amount of midrange frequencies | The Volume acts as a standard volume control to be able to set at unison or boost the signal | The mids and sweep controls work closely together to find the perfect frequencies to boost or scoop mid frequencies | The Lo/Hi toggle controls the sharpness of the frequency peak affected with the mids knob | Fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven | Great with an overly scooped distortion for the bite you need with every "djent," blues lick, rock riff, or lead line | Excellent for taming an overly mid-heavy amp or pedal rig

Tames a screaming loud tube amp by running through the effects loop and controlling the amount of signal sent to the power section | Lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way | Retain the response and tone of your amp’s sweet spot at lower levels | High grade components keep your tone clear and pure | Passive design doesn’t require any power | Designed to be compact, sturdy, and simple to integrate into your rig | Can easily be mounted underneath your pedalboard

Restores the high end detail, output level, and tonal character that involved pedal chains and long cable runs steal away | Mount it on the underside of your pedal board to use as a low profile always on | Converts your guitar’s hi Z signal to lo Z for driving long cables and pedal chains | Retains the original tone of your guitar without tone loss from other gear in your signal chain | Designed to be compact, sturdy, and simple to integrate into your rig | Black powder coating keeps the buffer hidden in the background

This simple footswitch design selects between a pair of ¼ inches jacks on the left side of the unit | Instantly swap between two instruments | Perfect for switching tones on dual amplifier rigs | Isolate your tuner from the signal chain, while achieving silent onstage tuning | Leave output unplugged for a convenient mute function | Small size is ideal for saving pedalboard space | Can run perfectly without power

Designed to be one of the most transparent overdrives out there | Adds mid to low level grit to Your crystal clean tone and tube like touch response to a less than ideal amp | Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly | Delivers all the tonal and responsive nuance that Your amp is missing, and Nothing that Your tone alReady has | Gain Control sweeps from Completely clean to rock ‘n’ roll | Tame the high end on brighter rigs with the side mounted bright cut switch | Features increased headroom and output for use as a Full frequency boost

Made in Kansas City USA | Offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music | The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation | The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath | Runs on 9V DC Negative Center power and consumes 70mA

Made in Kansas City USA | A simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound | The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted | The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations | Runs on 9V DC Negative Center power and consumes 8mA

Made in Kansas City USA | The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo | The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay | The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode | Runs on 9V DC Negative Center power and consumes 71mA

Made in Kansas City USA | A massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones | The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position | The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics | Runs on 9V DC Negative Center power and consumes 9mA

Made in Kansas City USA | The perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up | Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones | The Fat toggle engages a bass boost for an overall fatter, more powerful sound | Runs on 9V DC Negative Center power and consumes 9mA

Made in Kansas City USA | Offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds | The simple knob functions give you control over the Volume, Body (or EQ), and Drive | The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player | Runs on 9V DC Negative Center power and consumes 12mA

Made in Kansas City USA | An extremely versatile unit that allows you to achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance | The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone | The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds | Runs on 9V DC Negative Center power and consumes 74mA

Gives you the ability to take two inputs and blend them into one output | Perfect for putting effects in parallel so that they are not affected by one another | When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays” | Can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel | Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression

A versatile overdrive/distortion that covers everything from light breakup, blues, rock, heavy grind to more | The right side is our Moonshine V2, a highly unique and massively tweaked version of the most famous overdrive ever created | The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available | The Moonshine V2 features a Clean knob to blend in the perfect amount of clean signal with your overdrive signal | On the left side is our Angry Charlie, a high gain JCM 800-type “Brown” sound tone that accurately mimics Marshall tones | It has Volume, Drive, and the full Bass, Mid, and Treble tone stack like you’d find on the amp | Features our classic order switching toggle so that you can choose which circuit is first in the chain

Has one input, one output and two separate selectable effects loops (Send/Return), plus an A/B toggle that is controllable by the JHS Red Remote switching system | The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way | Functions as an A/B True Bypass Looper, a Simple True Bypass Looper, an A/B Box, an Amp Input Switcher, and an Effects Loop A/B | Because of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 1x1” Red Remote accessible | The Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig

A versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s | It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones | Three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike | Made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail | Runs on 9V DC Negative Center power and consumes 70mA

Volume acts as the master output control | EQ is a low pass filter that removes higher frequencies | Air control functions much like the presence control on an amplifier’s power section | Instant access to three different “wattage” settings | Can safely run at 18 or 9 volts