Filter size : 82mm | Frame Color : Black | Made in Japan

In cloudy or rainy weather, lines of light appear blue. | To correct this use filter | Use an amber filters that Lowes the color temperature.

In evening glow or morning glow,or under a white incandescent lamplight appears reddish. | To correct this use filter | Use an amber filters that Lowes the color temperature.

In cloudy or rainy weather, lines of light appear blue. | To correct this use filter | Use an amber filters that Lowes the color temperature.

Filter size : 86mm | Frame Color : Black | Made in Japan

Filter size : 95mm | Frame Color : Black | Made in Japan

Designed to enable a lens to focus closer than its normal set | Very Useful for Macro Photography | The Extension Tubes have no optics | Focus Closer to the objects you see and enjoy the feel of photography | Auto Extension Tube Set for the Nikon AF Mount | Supported Sensor Size APS-C, Full Frame

Close up, Auto-focus, Auto-exposure | 12mm, 20mm, 36mm Tubes | Works Individually or Combined | Provides Macro Capability | Macro photography | Close up, Auto-focus, Auto-exposure

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | A premium close-up lens that employs a new coating to support digital cameras. The high performance lens consists of | a set of two component lenses to suppress aberration. This type is suitable for SONY NEX(49mm).

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | These are high-performance lenses consisting of a set of two component lenses. The line up includes general close-up lenses such as No.2 and No.3,and No.5,which is suitable or lenses with short minimum shooting distances. | When the shooting distance of your original lens is ,AC No.4 lets you capture the subject at a close distance of just 0.25m.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | These are high-performance lenses consisting of a set of two component lenses. The line up includes general close-up lenses such as No.2 and No.3,and No.5,which is suitable or lenses with short minimum shooting distances. | When the shooting distance of your original lens is ,AC No.4 lets you capture the subject at a close distance of just 0.25m.

If you want to depict the subject as big as possible, | this close-up lens can achieve it. | When the shooting distance of your original lens is ,this lens lets you capture the subject at a close distance of just 10 cm.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | These are high-performance lenses consisting of a set of two component lenses. The line up includes general close-up lenses such as No.2 and No.3,and No.5,which is suitable or lenses with short minimum shooting distances. | When the shooting distance of your original lens is ,AC No.5 lets you capture the subject at a close distance of just 0.20m.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If you want to depict the subject as big as possible, | this close-up lens can achieve it. | When the shooting distance of your original lens is,this lens lets you capture the subject at a close distance of just 10 cm.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | These are high-performance lenses consisting of a set of two component lenses. The line up includes general close-up lenses such as No.2 and No.3,and No.5,which is suitable or lenses with short minimum shooting distances. | When the shooting distance of your original lens is ,AC No.4 lets you capture the subject at a close distance of just 0.25m.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | These are high-performance lenses consisting of a set of two component lenses. The line up includes general close-up lenses such as No.2 and No.3,and No.5,which is suitable or lenses with short minimum shooting distances. | When the shooting distance of your original lens is ,AC No.5 lets you capture the subject at a close distance of just 0.20m.

If you want to depict the subject as big as possible, | this close-up lens can achieve it. | When the shooting distance of your original lens is,this lens lets you capture the subject at a close distance of just 10 cm.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | These are high-performance lenses consisting of a set of two component lenses. The line up includes general close-up lenses such as No.2 and No.3,and No.5,which is suitable or lenses with short minimum shooting distances. | When the shooting distance of your original lens is ,AC No.4 lets you capture the subject at a close distance of just 0.25m.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If you want to depict the subject as big as possible, | this close-up lens can achieve it. | When the shooting distance of your original lens is ,this lens lets you capture the subject at a close distance of just 10 cm.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | A premium close-up lens that employs a new coating to support digital cameras. The high performance lens consists of | a set of two component lenses to suppress aberration.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | A premium close-up lens that employs a new coating to support digital cameras. The high performance lens consists of | a set of two component lenses to suppress aberration.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2. | A premium close-up lens that employs a new coating to support digital cameras. The high performance lens consists of | a set of two component lenses to suppress aberration.

If the shooting distance of your original lens is short, select a close-up lens that makes it shorter. If the shooting distance of the original lens is long, select either No.1 or No.2.Basic close-up lenses. | If your original lens has a minimum shooting distance of 1 m or more, select No.1. | If the lens"s minimum shooting distance is 50 cm or so, select No.3.

Conveniently turns a standard lens into a macro lens | Supports full-frame sensors and can be used singularly or together | Electrical contacts maintain communication between camera and lens | Fully-automatic aperture diaphragm coupling | Maintains TTL metering

High quality construction | Model Number: DG Extension | Item Package Dimension: 3.149606296" L x 3.0708661386" W x 2.7952755877" H | Item Package Weight: 0.39 lb

The bigger the length of the Nahrings cannot get the closer the lens focus. | Set consists of three intermediate rings with sizes 12 mm, 20 mm and 36 mm, that can be used individually or in combination. | Almost Any Lens at great a macro lens can be Konvertiert - Quality bleibt | Kenko DG Nahringe 12 mm/20 mm/36 mm Nikon AF, manual

Absorbs the ultraviolet rays | A muliti-purpose fine-weather filter for color | permanent lens protector.

Kenko 55mm Circular Polarizer Filter